The Old Man and the Gun (out 7 December)
Hollywood giant Robert Redford says he’ll retire after this ‘mostly true’ story about an OAP robber who’s escaped jail 16 times and plans one last heist with his silver-haired mates Danny Glover and Tom Waits. Promising a good-humoured, autumnal vibe, this is directed by David Lowery – who did the offbeat A Ghost Story last year.
See it on the big screen for: a legend’s final performance.
Get The Old Man and the Gun tickets and times.
The Favourite (out 1 January)
With Olivia Coleman’s lusty Queen Anne swearing, puking and trying to get off with her maids, The Favourite turns costume drama on its head. The whole thing is set to be quite the royal spectacle. Coleman’s already won best actress at Venice Film Festival for the role, no doubt the first of many awards nods of the season.
See it on the big screen for: three of your favourite actresses (Emma Stone, Rachel Weisz and Coleman) and the gorgeous cinematography.
The Favourite is out 1 January - find out more here.
Stan and Ollie (out 11 January)
Steve Coogan plays Stan Laurel and John C Reilly plays Oliver Hardy – but at the end of their careers, when they were reduced to playing half-empty English theatres. As likely to make you cry as laugh, this heartfelt look at male friendship could make a whole new generation love Laurel & Hardy.
See it on the big screen for: a tender, affectionate portrait of a legendary comedy team.
Stan and Ollie is out 11 January, find out more here.
The Front Runner (out 11 January)
You might be confused because this features Hugh Jackman but contains no singing, no dancing, no adamantium skeleton... instead he’s a revelation in this true story about Gary Hart, the Democratic Party’s shoo-in for the 1988 Presidential election until the media got wind of a scandal.
See it on the big screen for: the pulsing political drama.
The Front Runner is out 11 January, find out more here.
Beautiful Boy (out 18 January)
Exploring the harsh realities of addiction and the strained relationship it causes between father and son, Beautiful Boy is based on real events and features what’s being called “another Oscar-worthy performance” from Call Me By Your Name’s Timothee Chalamet.
See it on the big screen for: the opportunity to sob quietly in the dark.
Beautiful Boy is out 18 January, find out more here.
Mary Queen of Scots (out 18 January)
Are you Team Mary or Team Elizabeth? You’ll find yourself choosing a side in this epic historical retelling. Saoirse Ronan and Margot Robbie are electric as the feuding queens, both have been nominated and won various best actress accolades for previous films - this could be the year one of them takes the Oscar.
See it on the big screen for: the glory of Margot Robbie’s transformation from natural young Princess to doll-faced Queen.
Mary, Queen of Scots is out 18 January, find out more here.
Glass (out 18 January)
M. Night Shyamalan's Glass may be an awards outsider but James McAvoy’s reprisal of his role from Split is earning rave reviews from all sides of the critical spectrum. Playing not one, not two but 24 distinct personalities, we wouldn’t be surprised to see him pick up a nomination or two.
See it on the big screen for: The Beast. He’ll haunt your nightmares forever.
Glass is out 18 January, find out more here.
Destroyer (out 25 January)
You’ve never seen Nicole Kidman like this. Her fearless performance in Destroyer is eye-opening. She plays a woman forced to reckon with her demons, but her demons happen to be members of a gang she once infiltrated undercover. With director Karyn Kusama increasingly becoming known for creating unrelenting tension, Destroyer will have you wound tight.
See it on the big screen for: an incredible lead performance that will stick in your mind.
Destroyer is out 25 January, find out more here.
If Beale Street Could Talk (out 8 February)
Moonlight won an amazing three Oscars last year and anything director Barry Jenkins does now is a must-see. Based on a novel by literary giant James Baldwin, a black couple’s life is torn apart by a false accusation. If it’s as emotionally real as Moonlight, it’ll be incredible.
See it on the big screen for: this reason, from NPR - “Film classes will be taught about Jenkins' use of colour.”
If Beale Street Could Talk is out 2 February, find out more here.